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University Professor
20th Century art and theory
Ph.D., Harvard University, 1969
Professor Krauss' attempts to understand the phenomenon of modernist
art, in its historical, theoretical, and formal dimensions,
have led her in various directions. She has, for example, been
interested in the development of photography, whose history-running
parallel to that of modernist painting and sculpture-makes visible
certain previously overlooked phenomena in the "high arts,"
such as the role of the indexical mark, or the function of the
archive. She has also investigated certain concepts, such as
"formlessness," "the optical unconscious,"
or "pastiche," which organize modernist practice in
relation to different explanatory grids from those of progressive
modernism, or the avant-garde.
815 Schermerhorn Hall
Telephone: (212) 854-2164
E-mail: rek8@columbia.edu
Office Hours: Tuesdays, 4:0-5:00
20th Century Artlearn.columbia.edu/art20
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Krauss, Rosalind. The Originality
of the Avant-Garde and Other Modernist Myths, MIT
Press, 1986.
[ view
cover ]
Krauss, Rosalind. Bachelors, MIT Press, 2000.
[ view
cover ]
Krauss, Rosalind. Formless: A User's Guide, Zone Books, 2000.
[ view
cover ]
Krauss, Rosalind. The Optical Unconscious,
MIT Press, 1994.
[ view
cover ]
Krauss, Rosalind. The Picasso Papers, MIT Press, 1999.
[ view
cover ]
Krauss, Rosalind. October: The Second Decade, 1986–1996,
MIT Press, 1998.
[ view
cover ]
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If you are interested in upcoming lectures &
events featuring the columbia faculty, go to
lectures & events.
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